
Don't Pick Up That Gun, You Won't Get to Use It
- By THE 901 BLOGGER
It is quite tragic that Mr. Cruise has become a Scientology punch line, because he once was a bona fide movie star. A Tom Cruise movie was an event, maybe not a religious one but still quite capable of drawing the masses – human or otherwise – to the movie theaters. Whether it was action Cruise in the Mission Impossible franchise or Oscar Cruise in Jerry Maguire, the man was always capable of bringing “it” to the big screen.
Minority Report features action Cruise, but Oscar Cruise hovers in the background: he spends the majority of the movie on the run, yet rests every so often to discuss important plot points and emphatically layer in the dimensions of the tormented John Anderton. It would be a shame to let his annoying off-screen persona warp your opinion of his onscreen ability, because Mr. Cruise has that indefinable X-factor that makes acting look so much easier than it actually is.
All praise aside though, even Mr. Cruise couldn’t make the greenlighting of Vanilla Sky seem like a good idea, and so a substantial amount of credit has to be given to the movie itself and not just its A-list protagonist. Minority Report is a thrilling and intelligent sci-fi crime drama, borrowing as much from L.A. Confidential as it does from genre-buddy Blade Runner. It has its share of cliché moments as well as those too jokey for their own good, but no one can deny that the movie keeps you engrossed through every twist and turn until its satisfying conclusion.
You may take said satisfying conclusion for granted, but this is a Steven Spielberg film we’re talking about, and however great he is he has flubbed a few endings here and there – I don’t think anyone needs reminding of the egregious finale of War of the Worlds. Mr. Spielberg wraps up Minority Report properly though, succeeding in not tainting the polished product that he has created.
And this is quite the polished product. Mr. Spielberg has always gone above and beyond at defying average moviegoers’ scope of imagination, dropping their jaws while also forcing them to multitask and think at the same time. He puts this indelible stamp on Minority Report, creating a futuristic universe where crime can be predicted before it occurs. When the tables are turned on police chief and Pre-Cog – short for Pre-Cognition – champion Anderton, the morality and logistics of the system are called into question. If a perpetrator has not committed the crime yet, is he or she guilty? To what lengths would one go to completely eliminate crime?
Mr. Spielberg never gives definitive answers on the moral questions he raises, prompting viewers to form their own opinions about the issues he presents. This is what makes Mr. Spielberg one of the greatest directors of all time, as he is adept at entertaining us while also challenging us; without a doubt his movies are popcorn flicks, but smart ones all the same. It is a legacy that many directors – e.g. Michael Bay – aspire to but can never achieve.
Assisting Mr. Cruise and Mr. Spielberg in their goal here is a supporting cast of quality actors, all of who do their job effectively; in the movie’s merciless hands this entails serving as a means to an end. This is also to say that none of their performances are particularly groundbreaking, preventing Minority Report from transcending its standing as really good into excellence. Besides Mr. Cruise, the only other person with angst to express is the Pre-Cog Agatha, brought effectively to life by Samantha Morton. She shivers, screams, and predicts the future a lot, and Ms. Morton brings an appropriate amount of emotional depth to a potentially two-dimensional role. As Danny Witwer, Colin Farrell represents the public conscience as well as Anderton’s antagonist, raising questions about the morality of the Pre-Cog system and seeking to unseat Anderton. Mr. Farrell is satisfactory in the role, though it is solely on his natural charisma and not from real acting work that he gets by. Lamar Burgess (Max von Sydow) serves as Anderton’s confidant and mentor, and Mr. von Sydow is appropriately sympathetic. Like his fellow actors though, he does not prove capable of stealing any scenes from Mr. Cruise.
When watching Minority Report, forget everything you know about Tom Cruise the person and focus your attention entirely on Tom Cruise the actor. This is an intelligent and entertaining movie if given the chance, so do not hold Mr. Cruise’s recent antics against it. If the Pre-Cogs could have predicted his eventual insanity, maybe Mr. Spielberg would have chosen a different actor. However there is no such thing as pre-cognition and Mr. Cruise proves a fine choice anyway. This movie is the result of the marriage of a movie star and star director, and what a fine baby they have produced.
Minority Report is rated PG-13 (if you’re not yet 13 you shouldn’t be reading this blog) for disturbing eyeball imagery, multiple firearm discharges, and projectile vomit.



